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Course Listings, Fall 2008 EAS 190 Freshman Seminar: Mind and Body in China - Cancelled EAS 250WR - Introduction to East Asian Studies The course also emphasizes the development of skills in writing, research, and critical thinking. We will also deal with topics geared towards helping the student become proficient in East Asian Studies: a general review of writing systems; important reference works and resources; major institutions of East Asian studies; an introduction to the research interests and teaching areas of EAS faculty at Emory; and a history of the study of East Asia in the West. Required books may include: Patricia Buckley Ebrey, Chinese Civilization: A Sourcebook; Ryusaku Tsunoda et al, ed.s, Sources of Japanese Tradition. vol. 1; James Watson (Editor), Golden Arches East: McDonald's in East Asia; Bill Porter, Road to Heaven: Encounters with Chinese Hermits; Sharon Kinsella, Adult Manga: Culture and Power in Contemporary Japanese Society. EAS 270WR Introduction to Japanese Culture Content: An introduction to aspects of the study of the culture of modern Japan. We will explore such issues as writing and writing systems, gender, memory and history, geography and the environment, science, aesthetics, and the formation of national identity. No background in Japanese studies is required. Special attention will be given to these questions: When is Japanese culture? How do the Japanese view their culture and tradition, and how is it viewed by non-Japanese? How have these views changed throughout history? Particulars: No Prerequisite. Content: An introduction to Chinese literature from its beginnings through the end of the imperial era in 1911. Focusing on close readings of selected pieces in their literary and historical contexts, we will analyze representative works of various eras, writers, and genres. The aim of the course is to illustrate the beauty and diversity of classical Chinese literary voices and poetic sensibilities, and enable students to come to adequate terms with literary texts that were produced in a cultural environment often portrayed as being ‘worlds apart’ from our own. All texts will be studied in English translation. Required texts: Particulars: No knowledge of Chinese required. Evaluation based on class participation, written assignments, research paper, midterm and final. Surveys Japanese literature from the mid-19th century to the present. Introduces the nature and range of literary genres as they developed in the context of Japan's confrontation with modernity. The course opens for discussion issues in contemporary literary theory in order to understand aspects of Japanese literature and culture, such as gender, nationalism, intertextuality, Orientalism, and identity. Texts are in English translation. EAS 371 East Asian Musical Cultures Text: (Likely)
Kenneth Liberthal, Governing China: From Revolution Through Reform, 2nd edition Particulars: This course will include lectures and active class discussion. In addition to a mid-term and final exam there will be several short writing assignments, a bibliographic essay, and responsibility for a class-led discussion. EAS 378WR Postwar Japan Through Its Media This course examines the way the postwar Japanese experience has been reflected (and constructed) through various types of popular media. Through film, television, magazines, newspapers, music, and manga, we will explore the various ways in which Japanese society has narrated its experiences of recovery and rebuilding after World War II, and the role these media sources have played in this reconstruction. Whenever possible, class discussions will incorporate methodologies of cultural criticism that elaborate the relationships between media, representation, and national or racial identity. EAS 385: Modernity and Social Change in East Asia Content: The basic objective of this course is to understand modern transformation in East Asian Countries (primarily China, Japan, Taiwan, South and North Korea). This course will examine political, economic and cultural development of such countries from a comparative perspective. Throughout this course students could find out the commonality and differences among them. In the first half of the course the historical makings of societies in the region mostly from a macro-perspective will be compared. In the second half, the current shape of everyday lives and cultures from a micro-perspective will be compared based upon the understanding of historical and macro context. In those works students could understand how and why they diverged in their historical path to modernity, and what still remains to be common among them. This course is not aimed to survey a general history of those countries, but to discuss major issues in social change and cultural patterns in the region from a comparative perspective. Texts: TBA ***Mandatory film screenings on Monday evenings at 6 p.m. Content: The course explores the history and development of Chinese cinema since the early twentieth century. It discusses "film in China" and "China in film" by focusing on the function of cinema and the continual reconfigurations of time, space, gender, and history in Chinese films under different historical conditions in the past hundred years. Texts: TBA Particulars: Several one-page film response papers; two presentations; and a final paper (8-10 pages) of film analysis and discussion of a representative feature of Chinese cinema (research required). Attendance and active participation will count in determining final grades. EAS 471SWR Tradition in Modern China Content: This seminar examines the multiple ways in which traditions have been attacked, defended, revised, and reinvented in twentieth-century China. Our aim is to disentangle the anxieties, interests, and rhetorical devices that have shaped modern Chinese answers to the question of historical continuity. In our explorations, we will scrutinize representations of the past in scholarly works, including histories of Chinese science and thought, as well as depictions of historical events and personalities in historiography, film, fiction, music, monuments, and art. Required Texts: Course readings on Reserves Direct. Particulars: Prerequisite: Completion of one China or East-Asia related seminar or lecture course. Knowledge of Chinese is desirable but not required. Evaluation based on class participation, written assignments, exams, research paper. History 489SWR: JR/SR Colloquium: History of Western Medicine in China Mary Brown Bullock; MAX:12 Content: This course reviews the history of Western medicine in China from the Jesuits to the SARS epidemic with particular focus on the late l9th and 20 th centuries. Themes to be explored include the modern evolution of Western medicine and public health, the pattern of its introduction to China, the changing relationship between traditional Chinese and Western medicine, the Western model of hospitals, medical education and public health, and the politics of medicine and public health in both the Nationalist and Communist eras. Critiques of Western medicine in China over time will be explored as well as China’s current health care challenges. The course will conclude with a discussion of the nature of China’s modern system of medicine and public health and its importance in the global health system. Texts: Two books are assigned and are available for purchase in the bookstore: Roy Porter, Cambridge Illustrated History of Medicine and Arthur Kleinman and James L. Watson, SARS in China: Prelude to Pandemic? The majority of the readings will comprise articles and chapters of books which are available on e-reserve. Some additional readings will be assigned. Readings are designed to introduce the student to a variety of perspectives on the history of Western medicine in China. Particulars: Writing: This is a writing intensive course. Students will keep a writing journal that reflects analytically on the weekly reading assignment and class discussion. They will also write a major 20 page research paper. With an emphasis on the process of writing, students will prepare preliminary thesis statements, an outline and a full (graded) draft before the final paper is submitted. Details on the research paper will be provided. Oral presentations: The articulation of good questions and the exchange of ideas is central to the writing process. For information on Chinese Language Courses please visit: For information on Korean Language Courses please visit:
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